Key.
A: Corpus. A definitive part of the corpus which embodies both the aesthetic style of Slow Cinema and the conceptual element of my thesis.
B: Influence on Corpus. A film which has either directly or in-directly influenced a film or filmmaker which contributes to my corpus.
C: Peripheral Corpus. A film which has neither been an influence of the corpus nor contains the key aesthetical requirements to be a part of the corpus, yet can fairly be labelled as capturing the spirit of Slow Cinema.
D: Non Corpus. A film made by a filmmaker who is either part of the corpus or has been an influence on the corpus, or even influenced by the corpus yet doesn’t meet enough of the aesthetic requirements to be a part of the previous three groups.
Viewing Log
Viewing Log.
Key.
A: Corpus. A definitive part of the corpus which
embodies both the aesthetic style of Slow Cinema and the conceptual element of
my thesis.
B: Influence on Corpus. A film which has either directly or
in-directly influenced a film or filmmaker which contributes to my corpus.
C: Peripheral Corpus. A film which has neither been an influence
of the corpus nor contains the key aesthetical requirements to be a part of the
corpus, yet can fairly be labelled as capturing the spirit of Slow Cinema.
D: Non Corpus. A film made by a filmmaker who is
either part of the corpus or has been an influence on the corpus, or even
influenced by the corpus yet doesn’t meet enough of the aesthetic requirements
to be a part of the previous three groups.
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